Episode 6

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Published on:

30th Mar 2026

The Cloak on a Sunbeam: Thresholds of New Life

As the darkness of winter begins to stretch toward the light of spring, Maria and Jim explore the parallel mysteries of the Celtic and Jewish calendars. From St. Brigid’s miraculous sunbeam in Cork to the earth-born babies of ancient Egypt, this episode honors the fierce nourishment and quiet magic of the feminine spirit.

The Chapters

  1. [00:22] The Season of Imbolc: Maria introduces the Irish season of "gestation" and the upcoming St. Brigid’s Day, while Jim connects it to the Jewish "New Year for the Trees."
  2. [03:51] Maria - The Threshold Saint: The story of young Brigid, the girl born between the inside and outside, who proved her worth through a translucent apple peel and a heart for hunting.
  3. [08:52] The Cloak on a Sunbeam: Brigid’s arrival in ancient Cork and the miracle that frightened a Bishop but sealed her fate as a holy leader of the new religion.
  4. [13:06] Wells and Prayer Trees: A reflection on the enduring folk traditions of Brigid’s wells and the ribbons left by the traveling people of Ireland.
  5. [14:24] Jim - The Midwives of Egypt: Jim shares the midrash of Shifra and Puah, the midwives who defied Pharaoh’s decree through seduction, mirrors, and miraculous buckets of fish.
  6. [18:30] The Womb of the Earth: A breathtaking tale of angels serving as midwives in the fields and the earth opening up to protect the children of the Israelites.
  7. [21:55] Building Story Bridges: Looking forward to the future of the podcast, including a mission to the Atlas Mountains and inviting guests from the World Storytelling Cafe.

Key Takeaways

  1. The Universality of Gestation: Both Celtic and Jewish traditions recognize this time of year not as "dead" winter, but as a "sleep time" where life is actively being dreamed into existence.
  2. The Power of Thresholds: St. Brigid, born on a door lintel, reminds us that the most powerful figures often exist in the "in-between" spaces—between poverty and wealth, or ancient ways and new faiths.
  3. Storytelling as Protection: The tale of the Egyptian midwives illustrates how myth and folklore serve as a "nourishing stew" for the psyche, offering hope and survival strategies against oppression.
  4. The "Perfect Knowledge" of Children: Maria and Jim discuss the inherent wisdom children possess and the importance of "leading them astray" from rigid systems to preserve their creativity.

Closing

To dive deeper into the myths that haunt and heal us, subscribe to the Healing Monsters Substack. Join us as we bridge the distance between our own Corks and New Yorks through the power of the oral tradition.

Safe on the Story Road until the next time.

Transcript
Maria:

Hello from Cork.

Jim:

Hello from New York.

Maria:

Is mise Máire, Seanchaí Corcaí.

Maria:

It's Maria, the Cork-based storyteller.

Jim:

It's me, Jim here in Fayetteville, New York.

Maria:

We can't wait to tell you a few stories.

Maria:

Oh, it's great to be here today.

Maria:

So we're in still the darkness of winter and we're beginning to stretch

Maria:

forward at this stage towards spring and in Ireland, we're looking forward

Maria:

to the season of Imbolc in the Irish language, Imbolc - in the stomach.

Maria:

So it's the time of gestation, the time of new life.

Maria:

The time of spring and it all starts with St. Brigid's Day on the 1st of February.

Maria:

And I tell you, Jim, I wish it was here now.

Maria:

I've had enough of winter.

Jim:

Well, you probably don't know this, but in the Jewish year,

Jim:

there's more than one new year.

Jim:

There's a new year for Passover.

Jim:

There's a new year for the High Holidays.

Jim:

There's another new year, but we're about to come up to the new year of the trees.

Jim:

It's another new year, and it's the new year of finally, there being

Jim:

warmth and the ability to flourish.

Jim:

So it sounds kind of like the same.

Maria:

It's, yeah, it's very similar to the Celtic calendar, like we're coming

Maria:

out of Samhain, and, and the winter, and the dream time and, you know, the

Maria:

death time and into, um, the sleep time and the dreaming into existence time.

Maria:

The nourishment time.

Jim:

Yes.

Maria:

So isn't it amazing how different cultures who are totally separate from

Maria:

one another over time come up with similar

Jim:

mm-hmm.

Maria:

calendars.

Jim:

Absolutely.

Jim:

And we, how we associate the seasons with different kinds of characters

Jim:

and different personalities.

Maria:

Yeah.

Maria:

You know, like we all seem to agree that winter is death.

Maria:

Or the deep sleep, you know?

Maria:

Mm-hmm.

Maria:

Look forward to coming back to new life in spring, so yeah,

Maria:

that's definitely true, you know?

Maria:

Mm-hmm.

Jim:

Well, I think you probably have a story about a woman that's

Jim:

associated with this time of year.

Maria:

I do indeed.

Maria:

And it is Brigid.

Maria:

So Brigid is an amazing figure in Ireland.

Maria:

Uh, she's ár Naomh Matrón.

Maria:

She's the primary female saint in Ireland.

Maria:

So everybody outside of Ireland knows about Patty's Day, St. Patrick's

Maria:

Day, which will be in March.

Maria:

But in February we celebrate Brigid's Day.

Maria:

And when I was growing up, that was a day for the women.

Maria:

So the women kind of went off together and we told one another our secrets

Maria:

and our mothers handed us on the mysteries and things like that.

Maria:

It was a lovely day of appreciating being a woman and being a nourisher.

Maria:

This story is about when she came ar a laeentha saoire, when she

Maria:

came on her holidays to Cork.

Maria:

So at the age of eight years old, her father called her in and she was

Maria:

always known as the threshold saint.

Maria:

She was born in the lintel of the door, and as her mother was leaving, she put

Maria:

her hand up on the lintel of the door and the pangs of childbirth came upon her.

Maria:

So she was born between the outside and the inside.

Maria:

So straight away she was a bridge between words, even when she

Maria:

couldn't even talk, even when only her first breath had been taken.

Maria:

Her father was the high clan leader and her mother was a slave,

Maria:

they think maybe from Wales.

Maria:

So she came between poverty and great wealth.

Maria:

So this was our Brigid, and this was her before she became what

Maria:

she's known for today, which is the great nourisher of nations and the

Maria:

protector of pregnancy and all of this.

Maria:

So when her father called her in, she thought it was because he

Maria:

wanted to show her a new trick of hunting, or that he wanted to show

Maria:

her how to run a little bit faster.

Maria:

But instead of that, he said, look, from now on, I want you

Maria:

to call me the Ceann Chomhairle.

Maria:

Where when we're in front of other people, which was his official

Maria:

name, it's like a king, Jim.

Maria:

You know?

Maria:

It's like saying Your Excellency or something like this.

Maria:

And she thought he was joking.

Maria:

You mean I can't call you my dad?

Maria:

And he said, No, because you are eight years old now.

Maria:

And when you are 14, you will be ready for marriage.

Maria:

And she got an awful start in herself.

Maria:

And she said, What?

Maria:

And he said, yeah.

Maria:

And from now on, from this day forward, you'll have to wear a gúna, a dress.

Maria:

And she looked at him as if he was mad, and she said, How will I be able to climb

Maria:

trees and go hunting and run with the boys if I am going to be wearing a dress?

Maria:

And he said, you will do what you're told.

Maria:

I'm your Ceann Chomhairle.

Maria:

And she thought about it and he gave her a beautiful dress, much nicer

Maria:

than the dresses that her mother wore.

Maria:

But as soon as she put it on, it felt like very constricting, like golden handcuffs.

Maria:

It felt really, you know, it wasn't true to her nature at

Maria:

all, she couldn't run any longer.

Maria:

But the next gift he gave her was a knife.

Maria:

And she thought, Oh, what am I going to learn to do with the knife?

Maria:

Are we going to go hunting?

Maria:

And he said, I need you to be able to peel things without removing too much of

Maria:

the flesh of the vegetable or the fruit.

Maria:

And he gave her an apple and she took the knife and she peeled it in one big peel.

Maria:

And it was so thin that it was translucent.

Maria:

And he hung it on the window and the sun began to shine through it.

Maria:

And he said, My goodness, you didn't take one bit of the flesh.

Maria:

You were able to separate the skin from the apple, and there

Maria:

was no flesh taken at all.

Maria:

And she was very proud of that.

Maria:

Now he said, go and tell your mother that we must get ready for the road.

Maria:

Behind me on my screen, there is a picture of an ancient forest in Ireland,

Maria:

and the trees were dense because when Éire was pushed up out to the sea

Maria:

as a volcanic island, the next thing to happen was that the trees grew.

Maria:

And they grew in great proliferation and they grew very close to one

Maria:

another, and so you couldn't run in Ireland in those days.

Maria:

Instead, you had to look to the ground and make sure that

Maria:

the roots did not trip you up.

Maria:

So coming down now from Louth to Cork, in these modern days, Jim, would

Maria:

take you about two and a half hours.

Maria:

Not so in this time.

Maria:

In this time, it would be a three day journey.

Maria:

And they got into the carriages, and in that night when they camped

Maria:

out, the women stayed in the covered carriage, and the men, they slept

Maria:

under the carriage, the young boys.

Maria:

And the older men, they slept at the periphery of the campsite to

Maria:

make sure that everybody was safe.

Maria:

And then the next day they made the next part of the journey.

Maria:

And when they came to my city, it was only a little town in those days.

Maria:

Seven Hills folded in towards the River Lee.

Maria:

The River Lee, which is the deepest river in Ireland, and we have the

Maria:

second deepest harbor in the world.

Maria:

What would've Cork looked like to the eyes of young Brigid?

Maria:

And Brigid had heard on the way down from her mother that there was a new

Maria:

religion, a religion full of love, where people loved one another.

Maria:

They loved their neighbors, they loved the higher power.

Maria:

It was full of love.

Maria:

And in this religion, instead of having many gods, there would only be one God.

Maria:

Well, Brigid was very interested in the fact that this religion was

Maria:

built on love and she could not wait to meet an tEaspaig, the Bishop.

Maria:

But, her father came down and he said, I need you to go to the kitchen and I need

Maria:

you to know how to make a nourishing stew.

Maria:

And so she went to the kitchen and for the first time cooked.

Maria:

She would become renowned.

Maria:

She would become synonymous with Irish stew, and she would become

Maria:

synonymous with nourishment.

Maria:

But this was to be her very first time in my city.

Maria:

She could not say no to her father, so down she went.

Maria:

And the bishop came, and the sun trod across the sky in Cork, and her

Maria:

mother began to question the bishop, and she found out that in this new

Maria:

religion women could not say mass.

Maria:

Women could not hear confession.

Maria:

Women could not be leaders.

Maria:

And she thought, Oh, I thought this would suit my daughter,

Maria:

but now, I'm not so sure.

Maria:

And just at that moment, Brigid rushed into the room like a gust of spring wind.

Maria:

She took her famous clóca, her cloak, off, and she threw it behind her and she sat at

Maria:

the table and she looked into the eyes of the bishop whose face had gone green, and

Maria:

his eyes began to pop like a frog's eyes.

Maria:

And he said Hello, and she said, Conas atá tú.

Maria:

How are you?

Maria:

And he said, I'm fine.

Maria:

And then Brigid's mother explained that women could not be leaders in

Maria:

this church, but the bishop stood up and he looked at her and he said, I

Maria:

think there will be a place for you.

Maria:

I am getting a sign.

Maria:

And she wondered at his words: what sign was he getting?

Maria:

And then he began to put his hands on the wall and inch his way one bit

Maria:

by one bit around the wall until he came to the front door, and he ran out

Maria:

that door like an arrow from a bow.

Maria:

And as far as I know, he's still running.

Maria:

Because when Brigid came in and she took her cloak off, and she threw

Maria:

her famous cloak behind her, it did not land on the nail on the wall.

Maria:

It did not land on the floor.

Maria:

It landed on a sunbeam.

Maria:

And as the sun lengthened across the room, the cloak had danced right

Maria:

before the eyes of the bishop, and her fate was sealed as a holy woman.

Maria:

As a woman that would lead.

Maria:

Sin é mo scéal, that is my story.

Jim:

Oh, beautiful, beautiful.

Jim:

I love the image of the cloak on the sunbeam.

Jim:

What a, what a glorious image.

Maria:

Yes.

Jim:

The transition from thinking, this is such a beautiful religion to, oh, wait

Jim:

a minute, there's some challenges here.

Maria:

Yeah.

Jim:

Wonderful, wonderful.

Maria:

Yeah.

Maria:

You know, and, um, there, there is still a great, um, faith to Brigid in Ireland.

Jim:

Mm-hmm.

Maria:

And it feels a little bit, uh, different to, uh, Catholicism

Maria:

that's practiced elsewhere, let's say it like that, you know?

Maria:

Yes.

Maria:

Yeah.

Maria:

Her Holy wells are everywhere.

Maria:

Everywhere.

Maria:

And in the traveler tradition of Ireland, our, our beautiful traveling people,

Maria:

um, they go to the Brigid Wells, and I'll bring you to see one when you're,

Maria:

when you're here, Jim, you know?

Maria:

And in a time when people couldn't read or write, they would put a ribbon on

Maria:

her tree, and they would leave their intention in the ribbon on the tree,

Maria:

you know, and you can still see those prayer trees everywhere in Ireland.

Maria:

It's amazing, you know?

Jim:

Oh, just so many connections.

Jim:

I'm thinking of the stories of wells and women and how they seem

Jim:

to be in every culture for very good reason, very good reason.

Jim:

Well, you know, we spoke just before we started and you said, do you

Jim:

have a story about strong women?

Jim:

I'd like to share this one with you, and again, I didn't know anything about

Jim:

the story you were gonna tell, but I think there's a connection, of course.

Jim:

Yay.

Jim:

In the Jewish tradition, stories come from all sorts of sources.

Jim:

They come from the people, they come from the Bible.

Jim:

They come just from all around.

Jim:

And sometimes in the Bible there's like one or two sentences,

Jim:

and they seem incomplete.

Jim:

And so a whole story will emerge around this one or two sentences.

Jim:

And the story that came to me is a story about the days when

Jim:

the Israelites were in Egypt.

Jim:

And the Pharaoh was very concerned that they seemed to be

Jim:

growing and growing and growing.

Jim:

All these foreigners were getting to be too numerous, and so he, he had

Jim:

an order which was that the midwives should kill all the male babies

Jim:

and only let the females survive.

Jim:

And it didn't happen.

Jim:

And the last little part in the Bible is that there were two women, and

Jim:

it's always a little unusual when a woman is named, two of the midwives.

Jim:

And they were Shifra and Puah.

Jim:

And they said, Well, it's not our fault because these Israelite women

Jim:

are so strong, they're finished before we can even get to 'em.

Jim:

Well, that just seemed like there wasn't enough information there.

Jim:

So a story emerged, and here's the story.

Jim:

The story was that this terrible decree had come down.

Jim:

And part of what the Pharaoh did, his first attempt was to send all the men out.

Jim:

And they were making clay bricks, so they're doing that out in the fields.

Jim:

And he said, You can't go home at night.

Jim:

You're wasting too much time traveling back to your homes.

Jim:

You're gonna have to spend the night in the fields.

Jim:

And he thought that way he'd keep the men and the women from

Jim:

getting together and making babies.

Jim:

Well, the women were smarter than that.

Jim:

And so they would come out and they would bring three things with them.

Jim:

One thing is, well, they bring two buckets of water just to, to have, and

Jim:

they'd bring a mirror, and as they would be walking from their homes to where

Jim:

the men were in the fields, one of the buckets of water would fill with fish.

Jim:

And the other would be just clear, pure water to drink.

Jim:

And they would get out there into the fields with the men in the evening

Jim:

and they would use the clear water to wash each other and clean each other.

Jim:

And then they'd take the fish and they'd make a nice meal.

Jim:

And then they would take out their mirrors and they would tease the men.

Jim:

And they would look in the mirror and they would say, Of the two of

Jim:

us, I think I'm the more beautiful.

Jim:

And the man would say No, of the two of us, I think I'm the more beautiful.

Jim:

And they would start going back and forth and back and forth, seducing

Jim:

each other with naming all the ways in which they were beautiful.

Jim:

And of course, nature would take its course and they'd be making more babies.

Jim:

Well, when the women got to be full with child, they would stay in

Jim:

their homes so that they wouldn't be accosted by the Pharaoh.

Jim:

But when it was time for them to give birth, they would come back out

Jim:

into the fields, and they would sit beneath a beautiful, beautiful, huge

Jim:

tree, and they would give birth there.

Jim:

And there weren't enough midwives to help all the women.

Jim:

So the angels came down, and they were the midwives for the babies born in the field.

Jim:

And they would treat them with honey and uh, milk, and it would just

Jim:

be a beautiful, beautiful thing.

Jim:

Well, the Pharaoh got to be suspicious, because now no women were giving

Jim:

birth at all in their homes, and yet there still seemed to be more people.

Jim:

So he sent his soldiers out to see what was happening.

Jim:

Well, as the soldiers were coming and all these babies are out there

Jim:

in the field, the earth said, we have to protect these babies.

Jim:

And so the earth opened up and welcomed them back into the womb of the earth

Jim:

until the soldiers went by, and then the men and women would plow the earth, and

Jim:

release the babies from the earth again.

Jim:

So they'd be born a second time, once from their mother and once from the earth.

Jim:

And then they'd come back.

Jim:

And by that point they were born and they were grown and the population grew.

Jim:

So the story kind of continues from that point.

Jim:

But that was what came to me as, you know, this lovely, magical thing that

Jim:

doesn't really carry a big message other than the power of women and the

Jim:

power of motherhood in particular.

Maria:

Yeah.

Maria:

I absolutely loved that, you know?

Jim:

Yeah.

Maria:

It, it painted pictures in my mind's eye, and sometimes you

Maria:

can't explain why that is happening.

Maria:

This is one of those aims, Jim, but I mean, the, the picture

Maria:

of the angels coming down to help the mothers give birth.

Maria:

Yeah.

Maria:

The pictures of the mothers going down into the earth, the earth

Maria:

that protected them, you know?

Maria:

Yeah.

Maria:

Picking up the babies again.

Maria:

That's all so familiar to, to the Irish psyche.

Maria:

We were talking about those kinds of things in, uh, the folklore and culture

Maria:

class today, and we were talking about the little diamond that appears

Maria:

in the middle of a Brigid's cross.

Maria:

It's a weaving.

Maria:

And that that shape of the diamond is on stones that are over

Maria:

3000 years old in this country.

Maria:

Mm-hmm.

Maria:

So it's again, a very similar idea of the death, birth, rebirth, trying

Maria:

to keep people apart, you know?

Jim:

Yes, yes.

Maria:

Trying to keep foreigners out, you know, that kind of thing.

Maria:

It's amazing that we haven't learned those lessons.

Maria:

Yeah.

Maria:

And the amount of time we've been on Earth.

Jim:

Well, we seem to have to learn them over and over

Maria:

and over again.

Maria:

And every new generation is a new tablet, you know?

Maria:

Right.

Maria:

So they, they come with their own, you know, if you ever look into the face of

Maria:

a baby, and I have a new baby in my life at the moment, my niece's baby, so she's

Maria:

my grand niece and her name is Emily.

Maria:

And when I look into her face, I just know she knows everything.

Maria:

She's just so wise.

Maria:

Mm-hmm.

Maria:

You know, and then over time they become the innocent children.

Maria:

But it's like when, when a child is born, it's like they have perfect knowledge and

Maria:

then we train ourselves out of listening to our heart, out of listening to our gut.

Jim:

Well, the other thing I was thinking is that we have

Jim:

to be told the stories again.

Maria:

Yes.

Jim:

That that's how we learn.

Maria:

Yeah.

Jim:

We don't learn by somebody saying, you know, wait for

Jim:

the red, cross on the green.

Jim:

Yeah.

Jim:

You know, we learn the stories.

Jim:

Yeah.

Jim:

And that's how we really grow.

Maria:

And you telling that story leads us to have this conversation.

Jim:

That's right.

Maria:

You know, that's, and these conversations are so badly needed and

Maria:

so nourishing and so yummy, you know?

Maria:

Mm-hmm.

Maria:

We always go away smiling from these stories, don't we?

Jim:

We do.

Jim:

Well, I think it's worth mentioning, that we are in the middle of

Jim:

planning some time together.

Jim:

We were so fortunate.

Jim:

We've met twice in person now.

Jim:

Yeah.

Jim:

Once in Marrakesh, and once in Woodstock, New York.

Maria:

Yeah.

Jim:

And we're about to meet again in Marrakesh again.

Maria:

Yes.

Maria:

On a great project, you know, a project of bringing stories to

Maria:

the children, to the schools.

Jim:

And we've been invited up into the Atlas Mountains of Morocco.

Jim:

Yeah.

Jim:

And to, to work with people, not just in the cities,

Jim:

although we'll do that as well.

Maria:

Yeah.

Jim:

But to tell stories with children in the mountains, in the older villages.

Jim:

Yeah.

Jim:

And I'm sure we'll learn some interesting stories when we do that as well.

Maria:

That's it.

Maria:

You know, like Omar comes from a tribe that are in hundreds, not even thousands

Maria:

left of them, and the stories that he tells are so gentle and warming and yummy.

Maria:

And he brought those stories to the school children of Kerry when he

Maria:

was here last September, you know?

Maria:

So it's going to be such a joy to bring Irish stories back there now, you know?

Maria:

And to build on that.

Maria:

And And to hear yours, Jim, to hear the stories.

Jim:

Well, yeah.

Maria:

Yeah.

Maria:

To the children.

Maria:

Because even to the children, we've told to adults together, we've

Maria:

never told to children together.

Jim:

No.

Jim:

You'll discover that children are my undiscovered territory.

Jim:

So I, I mostly tell to, to adults, but I know that every time I tell to children,

Jim:

there's just a joyful energy in the room.

Maria:

Oh yeah.

Jim:

That one never gets with an adult.

Jim:

It's, it's a very different kind of experience.

Maria:

It is.

Maria:

You know, they're, they're different and both beautiful in their own

Maria:

way, but I hear what you say, you know, and I, I definitely feel

Maria:

it's my natural habitat as well.

Maria:

I, I love working with children.

Maria:

I love leading them astray.

Maria:

You know, I work a lot, I work a lot with school refusers: the

Maria:

most creative of our children.

Maria:

That's right.

Maria:

So, yeah.

Maria:

True story.

Maria:

So it is great.

Maria:

You know, I really am looking forward to that.

Maria:

So that's going to be happening in April in 2026.

Maria:

And then hopefully, uh, you know, it's, it's in train at the moment.

Maria:

There'll be a visit by yourself and lovely Jill to Ireland in September.

Maria:

So I'm looking forward to it as well.

Maria:

Yes.

Maria:

You know, and we'll just keep.

Maria:

Building those.

Maria:

Just keep going.

Maria:

Story bridges.

Maria:

We just keep doing this.

Jim:

Yes.

Maria:

Yeah.

Jim:

Well, the last thing I'd like to say for this episode is that we have

Jim:

finally reached the point where we're ready to start inviting other guests

Jim:

to join us, and we won't tell you who they are, but we will tell you that

Jim:

they're coming from around the world.

Jim:

Um, so do, do, keep listening.

Maria:

Can we mentioned though, that, that we've met a lot of them in the Wonderful

Maria:

World Storytelling Cafe in Marrakech.

Jim:

Absolutely.

Jim:

To underscore that when we met a year ago.

Jim:

It's almost exactly a year.

Maria:

Isn't that amazing?

Jim:

Uh, in Marrakesh, there were roughly a hundred storytellers

Jim:

there from around the world.

Jim:

Mm-hmm.

Jim:

And you might think that, how can you ever get close to a hundred people at once?

Jim:

But partly it was that we were all storytellers, partly it

Jim:

was that it was Marrakesh.

Maria:

Yeah.

Jim:

And a collection in a place that has honored storytelling

Jim:

for centuries, for millennia.

Jim:

Yeah.

Jim:

I have to say the relationships that I formed as part of being

Jim:

in Marrakesh, being at the World Storytelling Cafe, really just deepened

Jim:

my appreciation for story and for telling and listening to stories.

Jim:

So that's now part of what I have to share.

Maria:

Absolutely.

Maria:

And I think it's amazing as well that his highness, the King of

Maria:

Morocco, actually supports this.

Maria:

Yes.

Maria:

And because of that, you know, we're, we have to wear these honored guest badges.

Maria:

And so as we see other honored guests out on the Medina or on the streets of

Maria:

Marrakesh, we're like a storyteller!

Jim:

A storyteller!

Maria:

With come of lunch with us, you know?

Maria:

So yeah, it was, it was amazing and is amazing.

Maria:

And we have a lot to thank the World Storytelling Cafe for.

Jim:

We certainly do.

Maria:

Yeah.

Jim:

All right.

Jim:

Well, with that, I think we'll say goodbye for this episode.

Maria:

You never say goodbye in Ireland.

Maria:

We say "until the next time."

Jim:

Until the next time.

Maria:

Until the next.

Jim:

I'm remembering, I lived for a while in the Philippines.

Jim:

And I learned the native language there.

Jim:

And you didn't say goodbye, you said Balik, balik.

Jim:

Because balik means to return and they love to double words.

Maria:

Yeah.

Jim:

So Balik, balik means Come again.

Maria:

Come back, come back,

Jim:

Come back, come back.

Jim:

That's right.

Jim:

So

Maria:

I like it.

Jim:

Yeah.

Maria:

You know.

Jim:

All right then.

Maria:

Will we say goodbye from Cork?

Jim:

And goodbye from New York, but only for a while because we'll be

Jim:

back again with another episode.

Jim:

Absolutely.

Maria:

We can't wait to see you on the Story Road one more time, and from this

Maria:

time till that be safe on the Story Road.

Show artwork for From Cork to New York

About the Podcast

From Cork to New York
A cross cultural story bridge connecting the narrative traditions of Ireland and the United States - and beyond.
"From Cork to New York" acts as a cross-cultural Story Bridge, stitching together the rich narrative traditions of Ireland and the United States while welcoming guests from a vast array of cultures around the world. By gathering these diverse international voices to share their unique crafts, the show creates a rich space where global perspectives meet, mingle, and find common ground. At its heart, the podcast explores the concept of transformational storytelling, delving into how narratives - both ancient and modern - can foster community healing and personal growth across the globe. It serves as a vital digital thread connecting distant shores, using the deep-rooted ties between Cork and New York as a foundation for a truly global conversation.

About your hosts

Jim Brulé

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Jim Brulé is a transformational storyteller, death doula, teacher, and mentor, drawing on a unique background that encompasses advanced degrees in both clinical psychology and artificial intelligence. For the past seven years, he has directed Transformational Storytelling, an online school accredited by the National Storytelling Network. This global community trains spiritual storytellers from diverse traditions to craft narratives that inspire healing and foster spiritual growth.

Co-authored with Rebecca Lemaire, his book 'Stories of the Heart' presents 18 global tales for navigating life and death. https://StoriesOfTheHeartBook.com/

Jim is the recipient of the 2025 Oracle Regional Service & Leadership Award (Northeast Region), and participated in setting the Guinness World Record for the longest continuous oral storytelling at the 2025 Marrakech International Storytelling Festival.

Jim's classes, workshops, and communities embody his dedication to multicultural wisdom, grounded in the belief that true abundance arises from interconnected generosity and gratitude. You can learn more here: https://TransformationalStorytelling.org/

Maria Gillen

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Maria is the current Storyteller in Residence for the Kerry Writers Museum. She is a well known Bean An Tí (Irish Session Host) on the Irish Storytelling Circuit. She loves listening to stories and will tell a story at the drop of a hat. She loves co-creating stories with anyone ‘from the cradle to the grave’. She believes deeply in the power of stories to build communities, heal prejudice and to build resilience. She is a member of IACAT (Irish Association of Creative Arts Therapists). She is an award-winning storyteller, having won the longest-running Story Competition in Ireland - Finuge - twice and the Butter Roads Storytelling Competition.

Maria was the Irish Storyteller in Residence for Kerry Writers Museum from 2019 to 2022. She was the Artistic Director for the Listowel International Storytelling Festival 2020 to 2022. Maria is currently working as an archivist with Sheahan’s Storytelling Cottage in Finuge – a 300 year old traditional Rambling House in Finuge, Co. Kerry

She is a well-known popular storyteller on the storytelling circuit in Ireland and on the Cyberspace Platform. She is a well-known Bean An Tí (Irish Session Host) on the Irish Storytelling Circuit.

She is the preferred storyteller of Colette Travel Agency (the oldest existing travel agency based in the USA) for their premium storytelling experience in Cork. Maria delivers stories of Ireland’s Ancient East, Wild Atlantic Way, the Diaspora bond with America and the impressive history of Cork City and Cobh Harbour.